| 2025 |
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| Robert J Acheson |
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| Adam Denton |
|
| Matthew Geer |
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| Vivienne Griffin |
|
| Conor McAuley |
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| Jacob McQuillan |
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| Orly Watson |
|
| Lara Weaver |
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| Yang Yang |
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| |
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| 2024 |
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| Isaac Gibson |
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| Leonid Kuzmenko |
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| Damian Mills |
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| Hanna Slattne |
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| Georgios Varoutsos |
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| Bihe Wen |
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| |
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| 2023 |
|
| Barry Cullen |
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| Richard Davis |
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| Alex Lucas |
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| Christopher McCann |
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| Thomas McConville |
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| Michael McKnight |
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| Adam Pultz Melbye |
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| Michael Whitten |
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| Peter Wilson |
|
| |
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| 2022 |
|
| Elen Flügge |
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| Liam McCartan |
|
| |
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| 2021 |
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| Ciara Conway |
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| Jill Rose Jacobs |
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Barry O'Halpin
|
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Amy Rooney
|
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Judith Wiemers
|
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| |
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| 2020 |
|
|
Alan Barclay
|
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Hadi Bastani
|
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Anselm McDonnell
|
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| |
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| 2019 |
|
| Paula Guzzanti |
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| Ben Holmes |
|
| Hyeon Min Kim |
"ALTERNATIVE” STORYTELLING : spoken voice and narrative in sound-based works |
| |
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| 2018 |
|
| Pablo Sanz |
Environmental Composition Approaches. A Portfolio of Works |
|
Juan Manuel Loaiza Restrepo
|
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Aonghus McEvoy
|
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| |
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| 2017 |
|
|
Stefanos Kalonaris
|
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| Matilde Meireles |
Extended phonography: expanding field recording through a multi-sensorial practice |
| Robin Renwick |
Topologies for Network Music |
| Bryan Whitelaw |
Franz Liszt's Piano Sonata in B Minor: Context, Analysis and Hermeneutics |
| |
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| 2016 |
|
| Diogo Alvim |
Music Through Architecture - Contributions to an Expanded Practice in Composition |
| Robert D Bentall |
Genre Hybridisation in Electroacoustic Composition |
| John D'Arcy |
|
|
Declan Keeney
|
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Andrew Cavan Fyans
|
Spectator Understanding of Performative Interaction: The influence of mental models and communities of practice on the perception and judgement of skill and error in electronic music performance ecologies |
| Miguel Cerdeira Marreiros Negrão |
Parameter Field Spatialization: The development of a technique and software library for immersive spatial audio |
| Eduardo Patricio |
Spatial referentiality and openness: A portfolio of environmental sound compositions |
| Niall Rea |
|
| Tullis Rennie |
Composition and Identity: A portfolio of context-based sound works following interdisciplinary ethnographic methods |
|
Emily Diane Robertson
|
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| Koichi Samuels |
Enabling Creativity: a study of inclusive music technology and practices at The Drake Music Project NorthernIreland |
|
Nathan David Surgenor
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| |
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| 2015 |
|
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Isobel Anderson
|
|
| Michael Dzjaparidze |
A Portfolio of Original Compositions using a Physically Inspired Sound Synthesis Approach |
| Fionnuala Fagan-Thiébot |
The Sound of Memory: An artistic exploration of personal and cultural narratives in post-conflict communities |
| Peter Stitt |
Ambisonics and Higher-Order Ambisonics for Off-Centre Listeners: Evaluation of Perceived and Predicted Image Direction |
| Eduard Zatriqi |
Portfolio of compositions |
| Lawrence Zazzo |
"Not local beauties": Handel's bilingual oratorio performances,1732-1744 |
| |
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| 2014 |
|
| Patricia Alessandrini |
Composition as interpretation through performative electronics |
| Robert Casey |
Embodied Music: A Portfolio of Original Composition |
| Niall Fredrick Coghlan |
Physiological Correlates of Emotion as Interaction Channels with Artistic Applications: Artwork and Experiments |
| Gerard Gormley |
Microsound: A Portfolio of Original Compositions |
| Mark Rossi |
Abstracted Materials: A Composition Portfolio |
| Lilian Lima Simones |
The roles of gesture in piano teaching and learning |
|
Justin Yang
|
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| |
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| 2013 |
|
| Rui Chaves |
Performing sound in place: field recording, walking and mobile transmission |
| Felipe Hickmann |
Territories of Secrecy: Presence and Play in Networked Music Performance |
| Javier Jaimovich |
Emotion Recognition from Physiological Indicators for Musical Applications |
| Adnan Marquez-Borbon |
Working Through: Characterising and Evaluating Skill with Digital with Digital Musical Interactions |
|
Masahiro Niitsuma
|
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Sarah Orr
|
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| Nicholas Ward |
Effortful Interaction: A new paradigm for the design of digital musical instruments |
| |
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| 2012 |
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Dionysios Athinaios
|
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Sarah Jane Bass
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Andrés Cabrera
|
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Fernando Augusto Marinho de Franca Gualda Dantes
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Liam Gorry
|
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Christopher Haworth
|
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Donal T O’Brien
|
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Robin Michael Price
|
|
| Giovanni de Sanctis |
In-System Parametric Calibration for Two-Microphone Wave Separation in Acoustic Waveguides |
|
Andrea Santini
|
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| |
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| 2011 |
|
| Andrew Dolphin |
A portfolio of original compositions |
|
Grant Davidson Ford
|
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| Matt Green |
In and Out of Context: Field Recording, Sound Installation and the Mobile Sound Walk |
| Eoin Mullan |
Physical Modelling Sound Synthesis by Digital Waveguide Extraction with Application to Computer Games and Virtual Environments |
| Imogene Newland |
The Piano and The Female Body: the Erotic, the Seductive and the Transgressive |
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Damian Ryan
|
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| |
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| 2010 |
|
| Peter Bennett |
The representation and control of time in tangible user interfaces (designing musical instruments for the manipulation of temporal media) |
| Vasileios Chatziioannou |
Forward and inverse modelling of single-reed woodwind instruments with application to digital sound synthesis |
| Brian Cullen |
A Portfolio of Audiovisual Compositions for the ‘new media everyday’ |
| Florian Hollerweger |
The Revolution is Hear! Sound Art, the Everyday and Aural Awareness |
| Miguel Ortiz |
Towards an Idiomatic Compositional Language for Biosignal Interfaces |
| Matthew Rodger |
Musicians' Body Movements in Musical Skill Acquisition |
| |
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| 2009 |
|
| Alain Renaud |
The Network as a Performance Space: Strategies and Applications |
| Philip Noel George Strain |
The Design and Evaluation of an Assistive Multimodal Interface |
| Henry Vega |
A portfolio of original compositions |
| |
|
| 2008 |
|
| Tom Davis |
The Ear of the Beholder: Ecology, Embodiment and Complexity in Sound Installation |
| Konrad Kowalczyk |
Boundary and medium modelling using compact finite difference schemes in simulations of room acoustics for audio and architectural design applications |
| Ravi Kuber |
Developing an assistive haptic framework for improving non-visual access to the web |
| Chui Chui Tan |
An adaptive architecture to support web graphics exploration for visually impaired people |
| |
|
| 2007 |
|
| David Fee |
Dereverberation of acoustic signals via adaptive filtering |
| Jason Geistweidt |
A portfolio of original compositions |
| Martin Kuster |
Inverse Methods in Room Acoustics with Under-Determined Data and Applications to Virtual Acoustics |
| |
|
| 2006 |
|
| Mevlut Evren Tekin |
Intelligent Multi-Agent Systems in Polyphonic Score Following |
| |
|
| 2005 |
|
| Rachel Hosltead |
Portfolio of original compositions |
